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Herman Melville's 1856-57 Mediterranean Journal and
Italianate Poems by William Gibson

Table of Select Parallels
Quotations from the 1856-57 Journal are from Melville's Journals, ed. Howard C. Horsford with Lynn Horth (Evanston and Chicago: Northwestern University Press and the Newberry Library, 1989).

          Poems by William Gibson                         Melville's 1856-57 Journal        

1.  Naples:  “Sibylla Cumana” (1874; 1881)
Harper’s
49 (November 1874):  773-775.

MOON-CURVES of shore

Naples:  February 18th - 24th 1857
NN Journals 101-105.

Windings broad sweeps & curves [104]

Wrecks of antiquity
and yet elder myth

monuments of the variety of old religions (Sybils cave) and yet the Romish superstition.  [105]

A rubbish, half on land and half in sea,
Of Rome’s once sumptuous
sea-side luxury.

no palaces so sumptuous. &c &c. ―

P.S.  Wonderful old ruinous palace at Pausolippo.  Sea-palace. ― The road.  Villas, grots, summer-houses ― ravines ― towers &c &c &c.  Such a profusion & intricacy of grotto, grove, gorge villa hill, that it takes some time & patience to disentangle such snarls of beauty.  [105]

 Barrenness of Judea * * * mere refuse and rubbish of creation * * * all Judea seems to have been accumulations of this rubbish. [83]

A narrow chamber of Cimmerian gloom
And Phlegethonic steam


(the Sibyl’s grot)
[parentheses deleted!!! in 1881 printing, Poems of Many Years and Many Places, 15.]

Cave of Sybil.  Gate.  (Narrow one to hell, here)  Torches.  Long grotto, many hundred feet, fast walk.  Came to sudden dive down―very narrow―Descent to Infernal regions, guide said― [104]

(Sibyls cave) [105; Note parentheses!!!]

A green hill, crowned
with venerable walls

New Mountain cultivated towards summit. 
Buildings on it.  [104]

A round and vaulted ruin, temple or bath
In times imperial

Temple of VenusRound.  Summit wavy with verdure ―  [104]

where two women danced
The tantarella to a tambourine

corpses dressed for a ball [104]

That echo made orchestral.

Temple of Mercury.  Low dome.  Part fallen & below.  Vines drooping down.  Echo. 
Where art thou, Mercury ― Where? ― [104]

2.  Naples:  “Castellamare” (1881)
Poems of Many Years and Many Places, 55-97

...even the snows
Of the starred daisy show pink under-tips,
As faintly red as young Aurora’s lips. [1.4]

 

Bosporus / Athens / Naples
NN Journals 65; and 98-101

The daisies are tipped with a crimson dawn [65]

 

 

The mountain fades; but on its side aloof
Rolls the red lava in infernal glory.
As break in a spring-freshet blocks of ice,
Hills crumble down its fiery precipice. [1.9]

Acropolis ―  blocks of marble like blocks of Wenham ice * * * ―Break like cakes of snow― * * * Pavement of Parthenon ― square― blocks of ice. (frozen together.) * * * Ruins of Parthenon like North River breaking up.  &c. ― [99]

And poor Pompeiipious men maintain
Deserved her fearful overwhelming Hour;
Her prototypes the Cities of the Plain―
The sin―the wrath provoked―the fiery shower. 
 

 

Pompeii comfortable sermon
* * * Silent as Dead Sea.  [101]

[cf. “poor old Pompeii” in “At the Hostelry,” 1.104]

 

3. Rome: “Festa dello Statuto” (1877; 1881)
Harper’s 55 (June 1877):  64-65.

Like a halo of snow,
In tinge the mid-ribbon of a rainbow,
Above yon dome metropolitan
A cloud-ring floats...

 

Rome: Feb. 25th  - March 21st 1857
NN Journals 105-113

Middle tint. [111]  Claude ― Not to Paradise, but Tivoli. ―shading ― middle tint ― [113] 

Aurora ― Floats overhead like sun-dyed clouds [114]

 

Ere evening glides into the gloam.

 

The Gloaming (to apply a Scotch word) of a scene between dusk & dark of Claude. [109] 

The “Gloaming” is the best. [111]

 

4.  Venice: “Doves of Saint Mark” (1873; 1881)
First printed in The Galaxy 16 (August 1873): 237-238; Rpt. Poems of Many Years (1881), 35-37.

Lo! in a breadth of liberal sun,
Laughs the piazza of Saint Mark,
Gay with a triple Gonfalon;
Flies the flag of United Italy
Where the Winged Lion once pawed the air...

 

Venice:  April 1st – 6th  1857
NN Journals 117-120

Breakfast on St. Marks.  Austrain flags flying from three masts.  Glorious aspect of the basilica in the sunshine. * * * Sat in a chair by the arcade at Mindel’s some time in the sun looking at the flags, the sun, & the church.  [118-119]

 

There, where that glory of marble and gold
And grand mosaic our faith exalts,
Moslemesque pinnacles manifold...

[from stanza added in revision for the 1881 book version; does not appear in the
Galaxy (August 1873) printing.]

 

St: Mark’s at sunset, gilt mosaics, pinacles, looks like holyday affair.  As if the Grand Turk had pitched his pavilion here for a summers day.  800 years!  Inside the precious marbles, from extreme age, look like a mosaic of rare old soaps. * * * [120]

 

 

From the long arcades of the palace-fronts

 

The Ducal palace’s colonade like hedge of architecture. [119]

Cf. "long arcade" in Melville's poem "Venice," printed in Timoleon ("Fruit of Travel Long Ago").

 

Fearless as harmless, those ring-doves tame
Have been feed for centuries by bequest
Of a tender-hearted Venetian dame;
And as gentle a lady from over the sea
Calls them now to her lily hand...

Pigeons. * * * Numbers of beautiful women. * * *

On these still summer days the fair Venetians float about in full bloom like pond lillies.  [119]

5.  Venice:  “Allegoria Maritima”
Catholic World
34 (February 1882): 711-715

And like unfading clouds of sunset seem
The rose-sheen of the ducal walls and gleam
Of painted fisher-sails on Adria’s stream—

....that phantom craft,
Slow-melting in the moonlight far abaft,
Far over glistening sheet
and shallow bars....

Venice:  April 1st – 6th  1857
NN Journals 117-120

― Back to the city.  Mirage-like effect of fine day—floating in air of ships in the Malamocco Passage,
& the islands. * * * [119]

The city in the distance * * * superb light streaming in from shining lagoon through windows draped with rosy silks * * * [119]

Row to San Giorgio, to the Lido row!
Till the far city floats a fairy show...
Took gondola. * * * To the Lido, from whence fine view of Venice, particularly the Ducal palace &c.  [119]

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introducing "the gallant commander"

bulletWilliam-olated:  Signs to Fairyland in Melville's "Immolated"
 
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